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| karu pazhaniappan mandhira punnagai Behind the facade |
powerful accountable Mandhira Punnagai
The advocate of Mandhira Punnagai (U/A) isn't a being you would like to rub amateur with. Frank and aboveboard to a fault, his acerbic argot is his weapon. But abaft the baseless causticity is a bedridden mind. You don't appear beyond such a appearance in cinema often.
And MP is absolutely not one of your run-of-the comminute movies. Administrator Karu Pazhaniappan, who fabricated a mark with Parthiban Kanavu and Pirivom Sandhippom, debuts as hero of MP. Each of Pazhaniappan's three beforehand films (including Sivappadhikaaram) has been different. The fourth afresh is a rarely-trodden aisle that analyses the hero's psyche.
An extra-marital affair, its after-effects and a traumatised adolescence accept been projected as cautiously as possible. Kadhir (Karu Pazhaniappan), an artist by profession, is belled for his arrogance.
His intentions are blue-blooded but his words acerbic. Nandini (Meenakshi) enters his activity like a aroma of beginning air and aloof back things attending aflush problems brew…
As an actor, Pazhaniappan can do better. And his attempts at ball are affecting — thankfully he restricts it to one song sequence. A assuming role comes Meenakshi's way and she does abundant justice. Having absent a lot of weight back her …Kuthagaidharar days, from some angles she looks too thin, but adorable all the same. Thambi Ramaiah (Manmadha Naidu) who came out with a memorable appearance in Mynaa, and Santhanam whose banana curve in Boss Engira Baskaran are still the allocution of the town, enhance the absorption aspect to a assertive extent. You additionally accept administrator Nakulan Ponnusamy in the important role of Kadhir's father.
The cine drags at assertive points.
Rajeevan's sets are a commendable aspect of the film. Enticing lighting central apartments and arresting angles (Ramnath Shetty) deserve mention.
The Pazhaniappan-Vidyasagar admixture has consistently worked. Lovely, agreeable account is Vidya's forte, and MP exemplifies it yet again. Each song is in a altered brand — the melody of ‘Satta Sada Sada' will arena in your aerial for long.
An bygone accessory of Parthepan, the senior's access is absolutely axiomatic in Pazhaniappan's MP. The aloof hero who cares little about others' assessment of him reminds you of Parthepan in Pudhiya Paadhai. So does the logorrhoea in assertive sequences which makes you demand to scream! Also, the credibility aloft by the association of the accommodation circuitous at the meeting, and Ramaiah's acknowledgment are about agnate to such a arena in Anjali.
Mandhira Punnagai, whose able accountable and adequately absorbing analysis deserve a advanced reach, would accept got it actual calmly if Pazhaniappan had gone in for a accepted face for the role. As a director, he scores. It is the amateur who needs to hone his skill.
Genre: Drama
Director: Karu Pazhaniappan
Cast: Karu Pazhaniappan, Meenakshi, Santhanam
Storyline: Of a adolescent man who is always on the abhorrent Bottomline: The administrator proves his mettle. But casting is a acute issue.
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