Movie Kanimozhi
Director Sripathy Rangasamy
Producer T Siva & Sona Heidan
Music Sathish Chakravarthy
Cast Jai, Shazahn Padamsee, Vijay Vasanth
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| Kanimozhi cine review |
Rajesh (Jai) is an boilerplate average chic guy, his mothers pet, angel of his accompany and added to that he takes aggregate in activity in a absolute manner. He has a amulet for autograph account and best of time; he takes a altered avenue by scribing things that go amiss in his circadian activity by giving it a blessed ending.
He is ardent by a admirable babe (Shazahn) (whose name he doesn’t apperceive till the end) and starts assertive that she brand him the aforementioned address in which he does. After a alternation of incidents and scenes stitched together, he decides to accurate his adulation to her but what happens? This is the aberration and what happens to our hero and how takes this forms the story.
Debutant Sripathy Rangasamy directs this wafer-thin-story with an accessible hand, acceptance the actors abundant allowance to adapt their characters, but it's the autograph actuality that's mundane. Best scenes abridgement the activity that was appropriate to drag this blur into a altered level, that it was advised to be. What you get is a able but acutely annoying blur that feels too continued alike admitting it's beneath than two hours (115 minutes) in active time.
On the downside, the other-wise absorbing apriorism is presented in an amateurish address with hardly any accurate touches. There are added problems in the film's additional bisected but the acme makes up for it as the hero’s absolute attitude in activity comes beyond in a beautiful address and you leave the theatre with a smile on your face.
Of the cast, Jai who is there is every anatomy of the blur is endearingly agreeable and has appear out with a accustomed performance, while the aforementioned cannot be said about Shazahn. She looks appealing and has been photographed able-bodied but could accept invested added activity and affect to her appearance as she has the aforementioned announcement throughout.
Swathi of Subramaniapuram acclaim who comes in aloof one arena in the acme scores. The acknowledging casting mostly newcomers has all done their best. Music by Sathish Chakravarthy are aloof about ok but appear as acceleration breakers.
Few filmmakers stick their necks out to acquaint difficult and altered belief in these canicule of Made in Madurai films and asinine accumulation entertainers. For their intentions alone, the makers of Kanimozhi deserve a thumbs-up.
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